In this work from the Study of Woman series, a crouched figure rests on a pedestal, her placement both elevated and precarious. By leaving the true height unseen, the artist invites the viewer to imagine whether she stands in a place of reverence, scrutiny, or isolation.
Her gaze turned outward, she appears poised between aloofness and invitation, her vulnerability amplified by the stark openness of the scene. The Pedestal becomes a meditation on power and fragility, questioning how easily admiration can shift into exposure.
