A poised figure stands in perfect silhouette, composed and confident, yet her identity is replaced by a barcode. She is polished, desirable, and impeccably framed, but ultimately reduced to a unit of value. The red scan line cuts across where individuality should reside, transforming presence into product. TOP S£LL£R reflects on modern visibility, where success is measured, bodies are branded, and worth is often defined by performance rather than personhood. It is a quiet observation of how aspiration, image, and commerce increasingly occupy the same space.
